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You'll connect with a community of like-minded readers who are passionate about contemporary art, read articles and newsletters ad-free, sustain our interview series, get discounts and early access to our limited-edition print releases, and much more. The book, printed by Princeton Architectural Press, is available on Bookshop.ĭo stories and artists like this matter to you? Become a Colossal Member today and support independent arts publishing for as little as $5 per month. The book’s foreword is written by our very own, Christopher Jobson, who in 2012 had the opportunity to curate a selection of sketchbooks for The Sketchbook Project’s first national Mobile Library tour. You will read accounts by people you have never met,” they explain in the book’s introduction. “Sketchbooks over the years have served as shared memoirs to cancer survivors, inspired some to return to art school, and have been a daily practice to re-inspire the dormant or budding artists. Now entering the project’s ninth year, the co-founders have published a compendium of their collection of sketches from around the globe titled The Sketchbook Project World Tour. Peterman and Zucker believed it would be unfair for the book to represent the entirety of the project, and rather aim for the publication to serve as a glimpse into the community they have supported for nearly a decade. This extensive collection can be viewed in person at the project’s exhibition space at the Brooklyn Art Library, online in their digital archive, and at pop-ups around the country in their mobile library. Since its inception in Atlanta, GA and move to New York City in 2009, the project has grown into a massive crowd-sourced library that features 33,724 sketchbooks from over 135 countries. I hope that someone one day will stumble across this collection of collages in the library and it will inspire them to do something creative or to encourage them to pause and find the subtle connections in each piece.The Sketchbook Project began in 2006 by co-founders Steven Peterman and Shane Zucker as a way to disseminate hands-on art making via the virtual world. The newly digitized version lets users zoom in closely on the. The project, called Turning the Pages 2.0 allowed visitors to flip through the notebooks with animations and on screen annotations to explain different aspects of the page. I definitely have some favorites (captured below), and some others that I look at and wonder what the heck I was thinking in the moment. Starting in 2007, the British Library placed The Codex Arundel online thanks to a collaboration with Microsoft. I included other mediums too like paint, pastels, and pencil to enhance the movement, texture, or color. Every day I sat down to a blank page in the journal, a gathering of paper scraps that had some meaning to me at the moment and freely glued one thing on top of the other. I collected all the catalogs and design magazines I had lying around, ripped out pages with colors or patterns that intrigued me, got some scissors and glue and went to town. It would let me try new things, create new content, and be authentic.
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And I felt this could be my playground for new medium. I thought about painting in it, I thought about writing a story (probably best I didn’t), but when I was brainstorming what to do, I had recently discovered the art of collage. I struggled back and forth with what to fill my sketchbook with, because you can literally do anything you want.
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You pay to participate, and they send you a blank journal with very little rules and a deadline to send it back to be part of the library. And people are doing it! Hundreds of thousands from over 100 countries. The Sketchbook Project is hosted by The Brooklyn Art Library and their mission is to create a global time capsule to help articulate our collective creative thoughts. I stumbled across the Sketchbook Project on Instagram one day, and immediately felt the need to participate in the movement.